There isn’t a child in America, probably the wider world, that doesn’t have an experience with a Mattel toy. Hot…
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Sparse Brushstrokes Give Rise to Thick Impasto in Jose Lerma’s Minimal Portraits — Colossal
When Jose Lerma encountered “Reception of the Grand Condé by Louis XIV” by Jean-Léon Gérôme at the Musée d’Orsay in…
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Juxtapoz Magazine – Inka Essenhigh: The Greenhouse @ Victoria Miro Gallery, London
Victoria Miro is delighted to present new paintings by Inka Essenhigh. The New York-based artist’s sixth solo exhibition with the…
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Melissa Calderón Preserves Neighborhood Memories in Bold Textured Thread — Colossal
On expanses of beige linen, Melissa Calderón immortalizes pockets of a neighborhood or domestic space. Combining imagery from her childhood…
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Juxtapoz Magazine – Hilda Palafox: “una palma de distancia” @ Proyectos Monclova, Mexico City
Hilda Palafox is not merely painting; she’s crafting a dialogue—a response to both the beauty and the challenges present in…
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Juxtapoz Magazine – Greg Burak: Psychologistics @ MARCH, NYC
Neuroscientists have posited that the conscious mind resembles a theatre. Input and memory coalesce in emotion and ideation. Scenes play…
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Keita Morimoto Lingers in the Artificial Light of Urban Nights — Colossal
Cities are constantly in flux, but Keita Morimoto (previously) invites us to linger in their transitions a little longer. The…
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Regal Portraits Evoke Myth and Power in Simone Elizabeth Saunders’ Hand-Tufted Textiles — Colossal
Emblazoned with vibrant patterns and words like “TRUTH” and “LOVE,” Simone Elizabeth Saunders explores Black identity in relation to kinship,…
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In ‘KAUANI,’ Indigenous Mexican Flora Flourishes in Glowing Lanterns — Colossal
In Nahuatl, an Aztec language indigenous to Mesoamerica still spoken by more than a million people throughout Mexico, kauani means…
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Juxtapoz Magazine – Henry Darger: Utopia / Dystopia
In one of the most anticipated shows of the winter, Ricco/Maresca is showing Henry Darger: Utopia / Dystopia at their…
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